by daledavies on 10/27/24, 6:25 AM with 66 comments
by jonesjohnson on 10/27/24, 8:25 AM
The article only talks about the actual circuit that is behind that potentiometer.
Having built some MIDI controllers myself in the past, I noticed that rotary potentiometers allow you to better "decouple" arm/shoulder movements from hand/finger movements. I.e. when you're standing and and holding that knob, It's easier to make precise adjustments when there's a rotary knob you can "hold on to" and slowly twist your fingers, whereas with a linear potentiometer I usually have to keep a finger on the surface next to the knob to "compensate" for involuntary movements coming from my body and arm...
by intsunny on 10/27/24, 11:13 AM
It became one of the most commonly available rotary mixers, was the house mixer for many NYC clubs, and one of the mixers commonly found on tech riders of DJs who were the last to transition to CDJs.
Random bit of trivia: if you see old school photos or videos of rotary mixers in American clubs, sometimes it wasn't actually the Rane MP2016, but the Phazon SDX 3700: https://www.integralsound.com/sdx-3700-mixer It was the house mixer for Tunnel/Limelight.
by dspig on 10/27/24, 8:07 AM
Technically, regardless of the rest of the product design there are high quality potentiometers available both as linear faders or rotary knobs. I guess dirt is more likely to get into a linear fader and make it scratchy - especially in a club environment.
by letier on 10/27/24, 8:13 AM
Anyways, it’s not the knobs that make the sound…
by Animats on 10/27/24, 7:53 AM
At this point it's mostly a user interface problem.
by i_am_proteus on 10/27/24, 11:15 AM
by blablablerg on 10/27/24, 8:10 AM
by NikkiA on 10/28/24, 1:50 AM
by DidYaWipe on 10/27/24, 8:39 AM
It's depressing that audio software still widely subjects users to this skeuomorphic failure, trying to do everything with on-screen "knobs." Ugh.
by jeffreygoesto on 10/27/24, 8:19 AM