by KZerda on 8/15/24, 6:43 PM with 135 comments
by throwup238 on 8/15/24, 7:09 PM
That "major win" being allowed to proceed with the case at all. All they've done is clear the first hurdle meant to kill frivolous lawsuits before they get to discovery. Their other claims were dismissed:
> Claims against the companies for breach of contract and unjust enrichment, plus violations of the Digital Millennium Copyright Act for removal of information identifying intellectual property, were dismissed. The case will move forward to discovery, where the artists could uncover information related to the way in which the AI firms harvested copyrighted materials that were then used to train large language models.
by Ajedi32 on 8/15/24, 7:14 PM
(The "major win" in this case is that the court partially denied the defendants' motions to dismiss, so the case can now proceed to discovery.)
by davexunit on 8/15/24, 9:13 PM
by aabajian on 8/15/24, 8:58 PM
by reactor on 8/15/24, 8:43 PM
by segasaturn on 8/15/24, 7:52 PM
by 0cf8612b2e1e on 8/15/24, 9:02 PM
Or are there a few top ones specific to art style(photorealistic, scenery, pixel art, vectors, etc)?
by Paradigma11 on 8/16/24, 6:59 AM
by artninja1988 on 8/15/24, 8:47 PM
by doctorpangloss on 8/15/24, 7:06 PM
So if the artists prevail, image generators are donezo. Open source, proprietary, whatever. People saying otherwise just don't know enough about how they work.
You have heard of Adobe's Firefly. It is not clean. Adobe uses CLIP, T5, or something for text conditioning. None of those things were trained on expressly permitted content. Go ahead and ask them.
Maybe you have heard of Open Model Initiative. They are going going to use CLIP or T5. They have no alternative.
There are not enough license bureau images to train a CLIP model, not enough expressly licensed text content to train T5. A CLIP model needs 2 billion images to perform well, not the 600m Adobe claims they have access to. It's right in the paper.
Good luck training a valuable language model on only expressly permissioned content. You'd become a billionaire if you could keep such an architecture secret. And then when it does exist, such as with some translation models, well they underperform, so who uses them?
What do people want? I don't really care about IP, I care about, who is allowed to make money? Is only Apple, who controls the devices and accounts, and therefore can really enforce anti-piracy, permitted to make money? Only parties with good legal representation? It's not so black and white, not so cut and dried, who the good guys and bad guys are. We already live with a huge glut of content and raised interest rates, which have been 100x more impactful to the bottom line - financial and creative - of working artists. Why aren't these artists demanding that the Fed drops rates, or that back catalog media be delisted to boost demand for new media? It's not that simple either! Presumably a lot of people using these image and video generators are narrative creators of a kind too, like video game developers, music video makers, etc. Are they also bad guys?
There's no broad solution here, the legal victory here is definitely pyrrhic, but one thing's for sure: Apple, NVIDIA, Meta and Google will still be printing cash. The artists are advocating for a position that boils down to, "The only moral creative-economic status quo is my status quo."
by throwaway4837 on 8/15/24, 8:47 PM
by warkdarrior on 8/15/24, 7:32 PM